A great starting point when sintering Harvest Nano for the first time
- Calibrate your furnace – Check thermocouple regularly, use your manufacturer's instructions – suggested to be performed weekly.
- Test fire 2–3 units at slightly different temps
- Document results visually next to a shade tab.
- Build a “shade map” for your furnace and puck brand.
- Store these results in a binder or digital logbook for technician reference.
*Remember to adjust your parameter settings for cycles from your calibration readings
Perfect Shades are achieved with Peak Temperature Adjustments
The peak temp is one of the most influential parameters for shade results.
Problem | Solution | Why it Works |
Final restoration is too dark | Increase peak temp by 5–10°C (up to safe limits for material) | Higher temps break down oxides and bring more lightness |
Restoration is too light or washed out | Lower peak temp by 5–10°C | Lower heat preserves color saturation in pre-shaded zirconia |
Gradient between layers is too flat | Try lower peak temp or shorten hold time | Prevents over-mixing of transition layer pigments |
Your Peak Hold Time can effect color, consistency & translucency.
The dwell/hold time at peak temperature can either deepen or desaturate color.
Problem | Solution | Why it Works |
Color seems muted/faded | Reduce hold time by 15–30 minutes | Long holds bleach out stains and pigments |
Color is inconsistent between restorations | Ensure consistent hold time across batches | Variance in dwell = unpredictable chroma/shade |
Need more translucency with same shade | Slightly increase hold time at high temp | Allows better crystal formation without color loss (only up to a point) |
The speed of Ramp Rate (Heating)
The speed at which you ramp up to peak temperature can alter shade results subtly but meaningfully.
Problem | Solution | Why it Works |
Crowns look patchy or have banding | Use slower ramp (especially up to 900°C) | Ensures even pigment activation and moisture removal |
Final result looks dull | Slightly faster ramp post-1000°C | Can increase translucency but risks overshooting color |
Cooling Rate effects the optics and translucency.
While less commonly adjusted, cooling also impacts final optical results.
Problem | Solution | Why it Works |
Crowns appear milky or chalky | Slow down cooling from 1000°C to 400°C | Preserves crystal integrity and shade vibrancy |
Not enough translucency | Try a more controlled, stepped cooldown | Helps tetragonal-to-cubic transitions stabilize properly |
Placement Inside the Furnace can effect the balance of shade i
Uneven heating causes shade variation across units in the same run.
Problem | Solution | Why it Works |
Units have different shades in same batch | Place all crowns in center zone and same tray height | Ensures consistent thermal exposure |
One side of arch is lighter | Rotate or reposition next run | Furnace hot spots affect color and translucency |
Use of Covers or Sintering Beads
Shade can be altered by how exposed your zirconia is to the furnace atmosphere.
Problem | Solution | Why it Works |
Too much surface oxidation (greying or odd surface tone) | Use zirconia sintering cover, or alumina beads | Reduces oxygen exposure at high temps |
Custom Sintering Profiles per Shade Group
Some labs build custom programs for A1–A3, B shades, etc.
Problem | Solution | Why it Works |
A3s look too dark, A1s look too light | Slightly reduce temp for darker shades, raise for lighter | Keeps each shade family in its proper chroma/value |
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